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Auditions Events Rehearsal Schedules Interviews Photos Reviews More Fun Stuff! The
Super Handbook Spearheadnews.com is not officially affiliated with any
performing arts organization. ©2003 SpearheadNews |
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Carolyn lives both sensibly and theatrically: by profession, she is a civil engineer; by avocation, she is an adventurer. When I received the Damnation de Faust audition notice, I realized that the role of demonic mime might prove exotic enough to lure Carolyn into the San Francisco Opera: “Those offered engagement . . . must be able to wear custom, form-fitting, flesh-colored/transparent, latex/rubber fetish wear.” She answered the call, and I am pleased to introduce her observations as a recent opera company initiate. — Lynn First Day of Rehearsal My first, overwhelming
impression is that of all the people wandering around—there are dozens, if not hundreds of
them: chorus, supernumeraries, production staff, costume department
staff, prop people, carpenters, set designers, electrical people,
administrative folk, general staff, and half a dozen directors—assistant
directors, associate directors, directors of chorus, directors
of dancers, directors of whatever. It seems like my main task is
to
stay out of the way. I assume everyone has a job and knows what
they are doing, but their roles certainly escape me at the moment. |
“I'm aware that there are, um, many distractions during this scene, but you really must focus and keep the rhythm. Not that rhythm. I mean, I know it's hard, um, let's start this again.” —Conductor
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